Word Cloud Project

For my public Wordcloud diorama, I use visual focus to create typographic hierarchy. I experimented with a variety of lenses, including liquid-filled containers. Each printed word was identical in size. Using depth & distortion, words that are closer to the viewer will have greater clarity & focus than those further away.

Source material for this experiment was a digital copy of the novel Fire Sea by Margaret Weiss & Tracey Hickman. Uploading the text to Wordle (an online word-cloud generator), provided a visual of the most common words used throughout the book. The size of the word represents it’s hierarchy.

The finished project:

Semiology: The Study of Signs:

• Interpretation is based on the subject & their visual language & culture;
• Meaning of signs can change over time, between cultures;
• Media and popular culture can and often do shape visual language.

Guinness Semiotic Study Methodology:

• Guinness recruited semiotics experts to study competing beer ads;
• The study produced a “decoding kit” which analysed beer print and television ads;
• Ads were broken into signs: verbal and sound cues (“psst” sound of a bottle opening, light shining through a golden liquid, condensation on a glass etc.);
• These cues were grouped into core ideas: Refreshment, Beer Appreciation, Feeling of Belonging;
• Final step was to plot competitor’s strategies in chart or table form for a holistic view.

Ceci n’est pas une pipe:

• Image, typographic treatments, medium all impact viewer’s perception;
• Take-away from communication can vary widely from person to person;
• Text and imagery are independent of each other and must be arranged hierarchically;

Death of an Author

• Death of an Author postulates an author’s intentions and background should hold no weight when coming to an interpretation of their writing;
• Mallarme stressed the importance of linguistic analysis (“it is language that speaks, not the author”);
• “A text’s unity lies not on its origin but on its destination.”